African local TV production has been disrupted by streaming platforms — changing commissioning structures, fee economics, and the power balance between creators and broadcasters. A full industry analysis.
Africa’s cinema exhibition industry is under pressure from streaming — but new screens are being built, premium formats are growing, and box office economics are more complex than the simple streaming-kills-cinema narrative suggests.
Canal+ confirms Showmax closes April 30. After a €2.6B acquisition, 82 Nigerian originals commissioned, and losses of $285M in a single year, Africa’s homegrown streaming champion couldn’t solve the ARPU problem.
From investor circles to Netflix commissions: BETAR.africa maps the economics of African film production — who finances it, what budgets look like, and how streaming has restructured cost structures across the continent.
Africa’s cinema sector rebounded strongly from COVID — but a harder challenge is taking shape: streaming is eroding the window exclusivity model that makes theatrical exhibition economically viable.
Canal+ has shut down Showmax after $309 million in losses. Netflix won Africa’s streaming war — not by outspending the competition, but by locking up the continent’s dominant distribution infrastructure.